Tag Archives: traditional

I am still here!

Hello everyone! I’ve been too busy to update the blog (it’s my senior year at university), but I thought that I would update it to assure my audience that I have not entirely abandoned this blog. Keeping track of the websites that I have it tricky– I’ve only now managed to understand how Twitter is supposed to work– if you want updates, that and deviantart are probably the best bets. I want to change this blog’s layout to a less cramped, more readable one, so that’s my next plan. In the meantime, have some art!

In Progress

This is a watercolor painting that I started a few years ago and have not finished because I felt that I wasn’t “good enough yet” to finish it without ruining it. I have much more confidence that I can complete it now, although I have got some other comics, illustrations, and prints to finish first.

I also just really like how it looks sketched out!

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Shuggoth Paint Sketch

TEKILI-LI

This is about a year old. Gouache study for a painted illustration for Kobold Quarterly magazine.

In other awesome news, I got a short story accepted into Arcane magazine! Strangely enough, it’s a horror story.

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Nathaniel: character concept sketches

Whoops, I did not mean to take a month break from blogging. Here’s some character design sketches from a comic I’m working on. Click to enlarge.

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Intro to Printmaking, I

Since I’m primarily a printmaker, I thought that I’d start off my Thursdays with a quick intro to printmaking. I primarily do relief printmaking in wood, with a few forays into linoleum and that wonderful white eraser rubber stuff. I’ve done etching, drypoint, monotype, screenprinting, and a couple other methods, not always successfully, but many of those methods require a much fancier setup than I have currently. Relief, on the other hand, does not require a huge amount of space, and can be printed by hand rather than needing a huge press setup or vats of acid or giant slabs of limestone. Screenprinting is also fairly easy to do in, say, a garage, but that’s a subject for another day.

I posted up a scan of one of the final the Winter Bird prints yesterday, so today I’ve got a picture of it about a third of the way carved. You can see I started with the outside; the order that pieces are carved in doesn’t really matter.

Brrrr.

In this case I drew straight on the block, totally forgetting that the final would be reversed, and then swore a bit. After I’d decided that the image worked just as well reversed, I primed the surface with ordinary white Elmer’s glue. Priming with glue isn’t always necessary, but in this case the lines were so fine that I was afraid that the . The glue (a very light coat) helps hold the wood fibers together and also smooths the surface. That done, I inked the picture with a brush. Really only halfway- you can see that I didn’t use a terribly organized process with this one. When more colors are involved, it takes a lot more planning and precision. I inked the surface mostly so that I could tell what lines I would be carving on.

Usually I prime a woodblock with a light wash of watercolor so that the carved surface and the surface that will print are more clearly differentiated — this one I didn’t bother because it’s such a tiny quick piece. The feathers were tricky, though. I mostly used a knife.

Whew, that’s a lot of information in a short time. And carving is the easy part! Next Thursday: carving tools!

I know I have a tendency to dump a lot of information fast and/or without context, so if you have any questions, please ask.

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Blue Winter Bird

KA-KAWW

Here’s a tiny woodblock I did last fall. The full size is 4×4″, so it’s actually bigger onscreen than it is in real life! I didn’t exactly consciously decide to work so detailed, but I like doodling on the pieces of wood I have lying around, and every once in a while I carve them. I was about halfway through it before I realized that I had to carve every single teeny feature out. Hah!

… I have a lot more of these carved doodles around that I haven’t printed yet. It’s too cold to work in the basement right now, which is where my studio is, so I’m hoping that spring will show her face any day now!

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January Portrait

om nom nom

I drew this on the bus on the way to one of my internships last week, then scanned it and tried a new screentoning method (new for me, anyway!) on it. I like how it turned out. And it’s me! Wearing earrings! I really love hoop earrings, both how they look and wearing them.

I have exciting news coming up! I can’t talk about it in detail just yet, but it has to do with book design, art, invading aliens, and my other internship! This has been a busy term so far and looks to get busier, but it’s been awesome so far.

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Sketch of the Day

Iron and SaltIron and Salt, pencil study for a woodblock print.

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